> we just keep making the same music over and over and over again, yet we still find new and novel ways to make it sound different and new to the point where most people don't realize they've been listening to the same few songs in new forms for the last 100 years or so at least.
What do you mean by this? Oftentimes I see people reaching the conclusion that because a lot of modern music is built around the same major scales and largely homogenous chord progressions, it must be the same, but this simply isn't the case.
>a lot of modern music is built around the same major scales and largely homogenous chord progressions, it must be the same, but this simply isn't the case.
But it is, to the point where there's songs I learn only somewhat and i'll get confused to which lyrics are which and I'll sing a mix of the two songs when playing them, imagine and no woman no cry jump are two it happens to me with all the time. Same with truly madly deeply and kryptonite oddly enough. Then there's the whole pachabel's canon meme which is entirely true. There's a few songs, the most recent is some maroon 5 and i think a jonas brother's song which I was confused as hell as to why I liked until I realized they're just another rework of canon.
That's not even getting started on the direct ripoffs such as the 1000'@ of songs based on the Amen break or the thousands of songs that are basically a simple 8 or 12 bar blues progression or the tangled web of constant remakes that is reggae and dancehall and every song that lifts a bassline or melody from them without credit all the way up to such obscure things as the friendly neighbours tune from earthbound being a relick of the real rock riddim.
What do you mean by this? Oftentimes I see people reaching the conclusion that because a lot of modern music is built around the same major scales and largely homogenous chord progressions, it must be the same, but this simply isn't the case.