This statement requires more precision. A camera sensor usually has more dynamic range than the display can represent. Lenses often introduce distortions. Sensors capture noise. The tint and color temperature of light sources vary greatly. Here's a set of seven images taken at steps along the path starting from as close as a JPEG can represent to the raw sensor data to a finished image that reasonably represents how my eyes saw the scene:
When using a dedicated camera and generating a JPEG in the camera, a similar set of steps is applied automatically. There's no such thing as "no filter" in digital photography; even the "unprocessed RAW" is one program's opinion of how 12 bits per channel should be rendered at 8 bits per channel to display on your screen (as well as downsampled and compressed, in this case). There are often user-selectable profiles that each have a bit of a different look, much as different film stocks produce different looks (Fuji cameras actually call their profiles "film simulations" and name them after the company's film stocks).
So I think what you really mean is that you want the camera to produce an image that appears on a screen as much like what you saw with your eyes as it can.
This statement requires more precision. A camera sensor usually has more dynamic range than the display can represent. Lenses often introduce distortions. Sensors capture noise. The tint and color temperature of light sources vary greatly. Here's a set of seven images taken at steps along the path starting from as close as a JPEG can represent to the raw sensor data to a finished image that reasonably represents how my eyes saw the scene:
https://imgur.com/a/4paCKaL
When using a dedicated camera and generating a JPEG in the camera, a similar set of steps is applied automatically. There's no such thing as "no filter" in digital photography; even the "unprocessed RAW" is one program's opinion of how 12 bits per channel should be rendered at 8 bits per channel to display on your screen (as well as downsampled and compressed, in this case). There are often user-selectable profiles that each have a bit of a different look, much as different film stocks produce different looks (Fuji cameras actually call their profiles "film simulations" and name them after the company's film stocks).
So I think what you really mean is that you want the camera to produce an image that appears on a screen as much like what you saw with your eyes as it can.