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I think that's the mark of effective satire though - or it can be, I'd say there's a spectrum. Some satire needs to call itself out to the audience - make it clear what it is going after, and why. Others is the latter half of it - and Starship Troopers is definitely in this category - play it so straight that you do have to actually key in to it, and it might not hit right away.

I was early teens when I watched it, so while the "do you want to know more?" definitely hit as a "okay this is kind of absurd" we were definitely there for action and bugs exploding. But it certainly hit different when I revisited it and you realize just how effective a satire it is at pretty much every level.

And I think that's the important part: you can totally miss the point of the movie, and that's basically critical to it's message: it is written and structured as fascist propaganda, and the fact that that can seem reasonable if you accept it uncritically is the message - it's a whole movie which very subtly is pointing out that fascism and its death cult heroism worship is exactly that, but because we dressed it up to look pretty while making what's happening abundantly clear on screen (you die horrifically in a pointless war), you're almost thinking this is reasonable.



Well said, I especially like your take “It’s seems reasonable to accept it uncritically is the message

How often do we accept the story or the identity we are already part of?

For instance in the current conflict I wonder how language plays a part. Many Russians speak no to little english, and vice versa I/we often don’t speak Russian. I wonder how much this insulation adds to our conflict. I can’t learn from their viewpoint and they not from mine. Which leaves us with a one sided view like in the movie.




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