The only one I've ever noticed on my own in a long life of watching movies is the compressed air tank to overturn a chariot in Gladiator (2000).
I was told about the pole that causes the truck to flip in Raiders of the Lost Ark and now I can't unsee it.
—Warning to those who enjoy 2001 A Space Odyssey with their blinders on...—
2001 made a big impression on me as a kid and I've seen it many times. There was a point when watching for the Nth time in middle age that I first noticed that all the anti-gravity shots show the actors bodies carrying their own weight. Especially in the aisle scene with the floating pen, which itself is rotating about the center of the sheet of clear plastic it's attached to rather than its center of mass. Later in the same sequence, food trays are brought to the bridge after the long scenes of a flight attendant, who picks up trays as they slide downs from a dispenser, and as she hands the trays to the crew, one of them instinctively puts his hand out under the tray to helpfully catch its weight. In the next scene an officer joins other crew by coming up from behind them, leaning over and resting his arms on their chair backs as the scene cuts to details of anti-gravity meal consumption. Finally Floyd stands in front of a toilet reading a 1000 word hard-printed list of instructions after the viewer has been shown electronic displays used everywhere else. The self-consciousness of that clip provides a lovely relief from all the previous cognitive dissonance. I'm not able to unsee any of this now and it detracts from the spectacle. But at the same time, it makes the orchestration and ideas of the movie seem all the more artistic, so nothing lost except innocence. There are many other oddities to find in the movie working on different planes of awareness, including proprioceptive assumptions about reality, intelligence, progress, and spirituality.
> Later in the same sequence, food trays are brought to the bridge after the long scenes of a flight attendant, who picks up trays as they slide downs from a dispenser, and as she hands the trays to the crew, one of them instinctively puts his hand out under the tray to helpfully catch its weight.
Is this one clearly wrong? As you say, it's essentially an instinctive motion, so one can easily imagine the reflex taking over even if the scene were genuinely in zero gravity.
I too have seen 2001 countless times, and I missed some of these! One you missed is when food is sucked from the tube, the food flows back down into the container.
We had very little experience with zero g at the time, and surely Kubrick and his crew had zero. They did a remarkable job despite that.
Ah good call! I noticed that too, but didn't mention it because I want to believe the packaging would be designed tend to keep the food in... But yes, this too because the packages wouldn't use an open-ended straw?
At the time of that movie, my world didn't contain much of the materials and designs portrayed, so the whole production was mesmerizing with design elements that distracted from more practical details: like ZOMG what kind of plastic is that tray made out of? Look how spacey that furniture is!
The video phone Floyd uses seems ridiculous with its $5 charge for a call. But pay phones worked on dimes. On his call to his daughter, she is seen next to a totem with a touchtone keypad for dialing. ATT advertised that as a concept product at that time, and touchtone phones were still novel (as were Tang and ballpoint pens that could write upside down).
When LED pocket calculators arrived in early 70s the color red of those LEDs was unlike anything else you would see; it seemed amazing.
And at the time real tech design was often awkward and cheesy, especial goofy arrangements of car interiors, which smelled funny and had plastic that fell apart after a few years of exposure to the sunlight and heat.
In 60s it was typical for TV remotes to have just a button for channel change and that's all. And the channel change worked by an electric motor rotating the channel dial. A big feature was a second button to change down instead of up,
In the 70s when cable TV arrived the converter box added remote functions to old TVs, which was a big part of the appeal, and in 1981 MTV was in stereo if you hooked up the cable to your hi-fi FM receiver and tuned the simulcast station. You could write to MTV and there'd send you a sticker for your tuner.
So the sets in 2001 seemed like astounding fashion design for many people, and that was still so when Star Wars arrived in '77.
I remember TV remotes in the 60's that had tuning forks embedded in them. Pressing the TV remote button struck a tuning fork, and the TV picked up the sound. Wild!
The sound feedback from the machines is still ahead of our time.
I dearly love the hotel room at the end. It's so creepy. I wondered why for a long time, and finally realized it was because it was lit from the floor rather than the ceiling. If I owned a hotel, one of the rooms would be like that! Haha!
I was told about the pole that causes the truck to flip in Raiders of the Lost Ark and now I can't unsee it.
—Warning to those who enjoy 2001 A Space Odyssey with their blinders on...—
2001 made a big impression on me as a kid and I've seen it many times. There was a point when watching for the Nth time in middle age that I first noticed that all the anti-gravity shots show the actors bodies carrying their own weight. Especially in the aisle scene with the floating pen, which itself is rotating about the center of the sheet of clear plastic it's attached to rather than its center of mass. Later in the same sequence, food trays are brought to the bridge after the long scenes of a flight attendant, who picks up trays as they slide downs from a dispenser, and as she hands the trays to the crew, one of them instinctively puts his hand out under the tray to helpfully catch its weight. In the next scene an officer joins other crew by coming up from behind them, leaning over and resting his arms on their chair backs as the scene cuts to details of anti-gravity meal consumption. Finally Floyd stands in front of a toilet reading a 1000 word hard-printed list of instructions after the viewer has been shown electronic displays used everywhere else. The self-consciousness of that clip provides a lovely relief from all the previous cognitive dissonance. I'm not able to unsee any of this now and it detracts from the spectacle. But at the same time, it makes the orchestration and ideas of the movie seem all the more artistic, so nothing lost except innocence. There are many other oddities to find in the movie working on different planes of awareness, including proprioceptive assumptions about reality, intelligence, progress, and spirituality.