This is absurd. I also frequent typophile and these are not the sentiments or the characteristics I've seen.
Technically clueless? The entire disciple is technical by nature. People use and create their own tools as a matter of course, Python being the more popular language because of the RoboFab library.
No one has a problem with "losing control" of the work they created, they just want to be compensated for it like a reasonable human being.
> Technically clueless? The entire disciple is technical by nature. People use and create there own tools..
Sure, there are some people who do that, but they are hardly a majority. But that's beside the point. Most importantly - they are conservative as hell and unwilling to experiment with licensing. Here's a very interesting thread on the subject, and do tell me you are not getting the vibe I am describing:
No one has a problem with "losing control" of the work they created, they just want to be compensated for it like a reasonable human being.
This would seem to be contradicting itself. If you accept that control will be lost, then how can you accept that you'll be able to control that people will compensate you?
And I'd venture to say that if you're unable to recognize that piracy is a social problem that does not have a technical solution, then you may qualify for being technically clueless in the context huhtenberg is talking about.
There needs to be "Final Ultimate Solution to the Spam Problem Response" document for DRM implementation attempts.
You're way outside the debate here. Commercial typeface vendors are going to get compensated one way or the other. There's no DRM on a JPG from Getty or Corbis, but you'd be made of stupid to steal a commercial stock photo for your promotional material.
Yes, and commercial vendors get compensated one way or another because they use social tools, the law, to enforce their law-provided control over their product. Typeface vendors are welcome to do that too, using the law and not putting their trust in DRM, which is breakable, to enforce their control.
However, complaining that people who make their own product freely available, for whatever reason (be it for demo, ideological, political, etc purposes), is taking away compensation from those who don't make their product freely available doesn't help the cause to get people to pay for things, or their equivalents, they can otherwise get for free. Adobe charges high prices for their tools because they can, and people will pay because it is considered there are no better tools, free or otherwise. People pay for stock photos because it's actually easier and often cheaper to do so rather than risk having to deal with being caught not paying. Trying to convince the engineers who control the format to add DRM bits, which is what the OP was responding to, is exactly the wrong way to go about maintaining control and is a losing battle.
Presumably, you have a licensed user list and you audit the use of your intellectual property. I can't help it that this is hard, but that's the only even remotely practical solution that isn't a false sense of security. Wishing that people don't infringe is extremely ineffective, especially when you have an extremely sharp sword, the law, at your disposal to assist with enforcement.
Interestingly, one of the well known cases for keeping a trademark is that you make moves to protect it by stopping infringers. In some respects, it makes sense that those who want other, similar kinds of intellectual property protections be subject to the same requirements. Trademarks and copyrights both protect things that don't have hard physical manifestations that provide inherent limits on their reproducibility, so it may be reasonable that they are both afforded the same methods of protection.
what, and crawl the entire web to find infrigement?
Or pay for someone else to do it - but then, how would you enforce it? The costs of hiring a lawyer to threaten to sue would be greater than the money made from selling the typeface.
Yeah I agree with you about the nature of the discipline. I have no idea about its practitioners, but the craft can be very technichal.
Metamagical Themas (by Douglas Hofstadter) has several interesting problems concerning font and typography. For example, scale can be a problem. It would be relatively easy to design a good letter in a large font size. It gets more difficult when you are trying to scale that letter down to the tiny font sizes.
Technically clueless? The entire disciple is technical by nature. People use and create their own tools as a matter of course, Python being the more popular language because of the RoboFab library.
No one has a problem with "losing control" of the work they created, they just want to be compensated for it like a reasonable human being.